Keywords: an artist, Fyodor Oganesov-Nevezhin, International Film Festival, light of the world, philosophies
АННОТАЦИЯ
В статье анализируются философские взгляды художника Фёдора Оганесова-Невежина. Отправной точкой анализа послужила неоднозначная и противоречивая трактовка специалистами автобиографического фильма «Фёдор». Применён метод структурного анализа для выявления философичности сюжетной линии. В ходе исследования доказано, что философия жизни талантливого профессионального художника современности Фёдора Оганесова-Невежина содержит в себе нигилизм, противоречивое отношение к церкви как социальному институту, но вместе с тем глубочайшую духовность и признание в человеке Творца.
ABSTRACT
The article is dedicated to the philosophical views of the artist Fyodor Oganesov-Nevezhin. The ambiguous and contradictory interpretation of the film “Fyodor” by specialists served as the starting point of the analisis. А method of structural analysis is applied to identify the philosophic storyline of the film. It is concluded that the philosophy of life of a talented, professional contemporary artist Fyodor Oganesov-Nevezhin contains nihilism, contradictory attitude to the church as a social institution, but at the same time profound spirituality and recognition of the Creator in man.
Doctor of philosophy in the field of Cultural Studies, authorized member of Eurasian Academy of Television and Radio, Professor of philosophy of International Personnel Academy, Ukraine, Kiev
ISSN 2311-5327. Article metadata is hosted on the eLIBRARY.RU platform. Publisher — LLC «MCNO» Editor-in-Chief - Nadezhda O. Bleikh.
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