ART IN THE SPACE OF ALGORITHMS: THE INFLUENCE OF ARTIFICIAL INTELLIGENCE ON ARTISTIC CREATIVITY AND THE INTERPRETATION OF ART

ИСКУССТВО В ПРОСТРАНСТВЕ АЛГОРИТМОВ: ВЛИЯНИЕ ИСКУССТВЕННОГО ИНТЕЛЛЕКТА НА ХУДОЖЕСТВЕННОЕ ТВОРЧЕСТВО И ИНТЕРПРЕТАЦИЮ ИСКУССТВА
Zeynalova A.
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Zeynalova A. ART IN THE SPACE OF ALGORITHMS: THE INFLUENCE OF ARTIFICIAL INTELLIGENCE ON ARTISTIC CREATIVITY AND THE INTERPRETATION OF ART // Universum: филология и искусствоведение : электрон. научн. журн. 2026. 3(141). URL: https://7universum.com/ru/philology/archive/item/22203 (дата обращения: 02.04.2026).
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DOI - 10.32743/UniPhil.2026.141.3.22203

 

ABSTRACT

The rapid expansion of artificial intelligence technologies has profoundly reshaped the cultural and artistic environment of the twenty-first century. Contemporary artistic practices increasingly incorporate algorithmic systems capable of generating visual compositions, musical structures and textual narratives. This phenomenon challenges traditional philosophical and aesthetic assumptions concerning creativity, authorship and the interpretation of artistic works. The present study explores the conceptual and methodological implications of artificial intelligence within the sphere of artistic production and art analysis. Particular attention is devoted to the interaction between human creative intuition and computational processes that form the basis of algorithmic creativity. The research relies on an interdisciplinary methodological framework combining philosophical reflection, art historical analysis and approaches derived from digital humanities. The study demonstrates that artificial intelligence should be understood not merely as a technological instrument but as an emerging cultural mediator that reconfigures artistic communication and the perception of aesthetic meaning in the digital era.

АННОТАЦИЯ

Активное развитие технологий искусственного интеллекта существенно трансформирует современное культурное пространство и формы художественного производства. В художественной практике XXI века всё чаще используются алгоритмические системы, способные создавать визуальные образы, музыкальные структуры и текстовые композиции. Данный процесс приводит к переосмыслению традиционных представлений о природе творчества, авторстве и интерпретации произведений искусства. В статье анализируются философские и искусствоведческие аспекты взаимодействия искусства и искусственного интеллекта. Особое внимание уделяется взаимосвязи человеческого творческого мышления и алгоритмических процессов, лежащих в основе генеративных художественных практик. Методологической основой исследования является междисциплинарный подход, объединяющий философский анализ, методы искусствоведческой интерпретации и инструменты цифровых гуманитарных исследований. В результате делается вывод о том, что искусственный интеллект выступает не только технологическим инструментом художественного производства, но и новым культурным посредником, изменяющим способы эстетического восприятия и художественной коммуникации в условиях цифровой эпохи.

 

Keywords: artificial intelligence; digital art; algorithmic creativity; art interpretation;  digital culture;  aesthetics; media philosophy.

Ключевые слова: искусственный интеллект; цифровое искусство; алгоритмическое творчество; интерпретация искусства; цифровая культура; эстетика; медиафилософия.

 

Introduction

The contemporary stage of technological development is characterized by an unprecedented integration of digital systems into cultural and artistic processes. Artificial intelligence has become one of the most influential technological factors transforming the conditions of artistic production and the modes through which artworks are perceived and interpreted. Historically, artistic creativity has been associated with individual expression, imagination and subjective experience. However, the emergence of algorithmic technologies capable of generating images, sounds and textual structures introduces new dimensions to the concept of creativity. These technological systems operate through complex computational models that analyze large datasets and produce new aesthetic configurations [7].

The presence of artificial intelligence within artistic practice inevitably raises philosophical questions regarding the status of the creator and the nature of artistic agency. If algorithms can autonomously generate artistic forms, it becomes necessary to reconsider the traditional boundaries between human creativity and technological processes. Contemporary researchers argue that digital culture increasingly develops within hybrid environments where human and machine creativity intersect [3].

Relevance of the research

The relevance of this research is determined by the growing influence of artificial intelligence technologies within the cultural sphere and the rapid expansion of algorithmically generated artistic practices. Digital tools based on machine learning and neural networks are widely used in contemporary art, ranging from generative visual compositions to interactive multimedia installations.

These developments significantly transform the theoretical foundations of aesthetics and art history. Classical aesthetic theories were formed in a historical context in which artistic creation was considered an exclusively human activity grounded in emotional experience and personal expression.

In the digital era, however, algorithmic systems participate directly in the creation of artistic forms. As noted by researchers of digital culture, algorithmic logic increasingly structures cultural production and the circulation of artistic images [4]. Consequently, the study of artificial intelligence in the context of artistic creativity becomes an important interdisciplinary research area that connects philosophy, media studies and art history.

Purpose of the research

The primary purpose of this study is to investigate the influence of artificial intelligence technologies on the processes of artistic creation and the interpretation of artworks within the framework of contemporary digital culture.

The research seeks to achieve the following objectives:

  • to examine conceptual transformations in the understanding of creativity in the context of algorithmic systems;
  • to analyze the impact of artificial intelligence on contemporary artistic practices;
  • to explore new interpretative approaches emerging in art historical analysis through digital technologies;
  • to evaluate the broader cultural implications of algorithmically generated artistic production.

Methodology

The methodological basis of the research is formed by an interdisciplinary analytical framework that integrates philosophical reflection, art historical interpretation and methodological approaches from digital humanities.

Several complementary methods were applied:

  • Philosophical analysis allowed for the conceptual examination of creativity, authorship and aesthetic experience within the context of artificial intelligence.
  • Comparative analysis made it possible to contrast traditional artistic practices with new forms of algorithmically generated art.
  • Hermeneutic interpretation was used to analyze transformations in the perception and interpretation of artistic meaning in digital environments.
  • Cultural analysis enabled the study of the broader socio-cultural context in which artificial intelligence technologies influence contemporary artistic production.

The combination of these methodological approaches provides a comprehensive perspective on the complex interaction between technological innovation and artistic creativity.

Artificial intelligence and the transformation of artistic creativity

Artificial intelligence technologies have significantly expanded the range of creative possibilities available to contemporary artists. Neural networks and machine learning systems are capable of processing extensive visual and cultural datasets, identifying stylistic patterns and generating new visual compositions based on algorithmic modeling.

In this context, algorithmic creativity can be interpreted as a form of computational aesthetics in which artistic form emerges through the interaction of mathematical structures and cultural information. According to M.Boden, creativity in artificial systems can be understood as the production of novel combinations within predefined conceptual frameworks [2].

Such developments transform the traditional understanding of artistic authorship. The role of the artist increasingly shifts from direct creator to designer of generative systems that produce multiple variations of aesthetic forms. Consequently, artistic creativity becomes a collaborative process involving both human imagination and computational procedures.

The role of algorithms in the interpretation of art

Artificial intelligence technologies influence not only the production of artworks but also the analytical methods used in art historical research. Digital tools enable scholars to analyze extensive collections of images and identify stylistic correlations that might remain unnoticed through traditional visual analysis [1].

Machine learning algorithms are increasingly applied in the attribution of artworks, the identification of stylistic features and the study of historical artistic influences. Such computational methods allow researchers to process large volumes of visual data and reveal structural patterns within artistic traditions.

According to L. Manovich, computational approaches introduce a new paradigm in the study of culture, where digital technologies facilitate large-scale analysis of cultural artifacts [5]. Nevertheless, despite the analytical capabilities of artificial intelligence, the interpretative dimension of art remains deeply connected to human cultural experience and historical context.

Discussion

The integration of artificial intelligence into artistic practice creates a complex field of theoretical debates. On the one hand, algorithmic technologies significantly broaden the possibilities of artistic experimentation and enable the exploration of new aesthetic forms.

On the other hand, the increasing role of computational systems raises concerns regarding the potential mechanization of creativity. Some scholars argue that algorithmic art may reduce artistic production to statistical recombination of existing stylistic patterns [6].

However, many contemporary artists perceive artificial intelligence not as a substitute for human creativity but as a collaborative partner within the creative process. In this perspective, artistic creation becomes a dynamic interaction between human imagination and computational generation.

Such transformations reflect broader cultural shifts characteristic of the digital era, in which technological systems increasingly participate in the production and interpretation of cultural meaning.

Conclusion

The development of artificial intelligence technologies has introduced profound changes into the structure of contemporary artistic culture. Algorithmic systems expand the technical possibilities of artistic production and simultaneously transform philosophical conceptions of creativity and authorship.

The analysis conducted in this study demonstrates that artificial intelligence functions as a new cultural mediator within the sphere of artistic communication. Rather than replacing human creativity, algorithmic technologies open new forms of collaborative artistic practice that combine computational logic with human aesthetic intuition.

In the context of digital culture, the future of artistic creativity will likely evolve within hybrid environments where human creators, algorithmic systems and audiences interact in complex processes of cultural communication.

Further research should focus on the ethical, philosophical and aesthetic implications of algorithmic creativity, as well as on the development of new theoretical frameworks capable of explaining the transformation of art in the age of artificial intelligence.

 

References:

  1. Alide Z. Creative thinking in the age of digital transformation //Universum: общественные науки. – 2025. – №. 8 (123). – С. 67-68.
  2. Boden M. The Creative Mind: Myths and Mechanisms. – London: Routledge, 2004. – 344 p. – P. 95–115.
  3. Gombrich E. H. The Story of Art. – London: Phaidon Press, 1995. – 688 p. – P. 35–60.
  4. Grau O. Virtual Art: From Illusion to Immersion. – Cambridge: MIT Press, 2003. – 416 p. – P. 145–170.
  5. Manovich L. The Language of New Media. – Cambridge: MIT Press, 2001. – 354 p. – P. 50–75.
  6. Paul C. Digital Art. – London: Thames & Hudson, 2015. – 272 p. – P. 120–140.
  7. Zeynalova A. The projection effect and philosophy in the digital era: from virtual perception to technological selfhood //Философия науки. – 2025. – Т. 246. – №. 11. – С. 126.
Информация об авторах

Researcher of the Azerbaijan National Academy of Sciences, Institute of Philosophy and Sociology, Department of Digital Development And Philosophy of Artificial Intelligence, Azerbaijan, Baku

науч. сотр. отдела цифрового развития и философии искусственного интеллекта, Института философии и социологии Национальной академии наук Азербайджана, Азербайджан, г. Баку

Журнал зарегистрирован Федеральной службой по надзору в сфере связи, информационных технологий и массовых коммуникаций (Роскомнадзор), регистрационный номер ЭЛ №ФС77-54436 от 17.06.2013
Учредитель журнала - ООО «МЦНО»
Главный редактор - Лебедева Надежда Анатольевна.
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