23. Теория и история искусства
THE COLOR GOLD AS A TEMPORO-CULTURAL SYMBOL IN OLD RUSSIAN AND MEDIEVAL JAPANESE PAINTING
11.04.2026
314
ART IN THE SPACE OF ALGORITHMS: THE INFLUENCE OF ARTIFICIAL INTELLIGENCE ON ARTISTIC CREATIVITY AND THE INTERPRETATION OF ART
11.03.2026
802
DIGITAL CULTURE AND ART HISTORY: A CONCEPTUAL DIALOGUE BETWEEN TECHNOLOGY AND ARTISTIC THINKING
13.02.2026
765
MEDIEVAL SCULPTURAL DECORATION OF THE PORTAL OF THE CATHEDRAL OF AVILA: AT THE CROSSROADS OF ROMANESQUE AND GOTHIC
13.05.2025
373
MISCONCEPTIONS OF CHINESE ART EDUCATION IN THE 20th CENTURY
09.03.2025
986
INTERNATIONAL TRENDS IN THE DEVELOPMENT OF WATERCOLOUR ART
14.01.2025
515
RESEARCH ON THE PATH OF INDIVIDUALIZED TRAINING FOR MUSIC MAJORS IN LOCAL UNDERGRADUATE COLLEGES AND UNIVERSITIES
07.01.2025
572
THE WORK OF PAVEL BAZHOV IN THE CONTEXT OF SOVIET JOURNALISM
10.12.2024
651
INTERNATIONAL CHINESE EDUCATION EMPOWERS THE INTERNATIONAL COMMUNICATION PATH OF HUIZHOU ART
09.12.2024
777
ON THE HISTORY OF THE FORMATION OF A SOCIO-ETHICAL RESEARCH DIRECTION IN SOVIET ART CRITICISM IN THE LATE 1960-th–1970-th
13.11.2024
579
A COMPARATIVE STUDY OF TEA CULTURE BETWEEN CHINA AND RUSSIA
04.06.2024
1548
ON THE PROBLEM OF GENRE DIFFERENTIATION OF FILMS ABOUT MUSICIANS (BASED ON THE EXAMPLE OF FILMS BY CHINESE DIRECTORS)
03.05.2024
412