19. Кино-, теле- и другие экранные искусства
VOLAND’S METAUNIVERSE IN MIKHAIL BULGAKOV’S NOVEL “THE MASTER AND MARGARITA” AND ITS FILM VERSIONS
02.02.2026
168
THE IMAGE OF THE COMMANDER IN LITERARY WORKS AND CINEMA INTERPRETATIONS OF THE STORY OF DON JUAN
15.08.2025
566
THE TRANSFORMATION OF THE FEMALE IMAGE IN POST-SOVIET CINEMA FROM ALTRUISTIC SACRIFICIALNESS TO AUTONOMOUS SUBJECTIVITY
14.06.2025
425
RISK MANAGEMENT TOOLS IN FILM PRODUCTION
14.06.2025
478
THE POETICS OF WASHINGTON IRVING’S “THE LEGEND OF SLEEPY HOLLOW” AND THE FEATURES OF ITS SCREEN ADAPTATIONS
07.05.2025
829
TV MEASUREMENTS: TRACKING THE LATEST TRENDS
03.02.2025
621
ADAPTATION OF CLASSICS AS CULTURAL REINTERPRETATION IN CONTEMPORARY RUSSIAN CINEMA: THE CASE OF FILMS FROM 2024
14.01.2025
1109
FILM ADAPTATIONS OF “VIY” IN THE CONTEXT OF HORROR FILMS
23.12.2024
516
ВОПРОС ЭКРАНИЗАЦИЯ УЗБЕКСКИХ НАРОДНЫХ СКАЗОК
09.10.2024
470
ВЛИЯНИЕ ГЛОБАЛИЗАЦИИ НА ПРОИЗВОДСТВО И ПРОКАТ ФИЛЬМОВ
18.06.2024
939
MOVIE INCARNATIONS OF THE DEVIL: COMPARATIVE CHARACTERISTICS, ANALYSIS, CLASSIFICATION OF FILMS
11.04.2024
2074
JUDGMENT DAY THROUGH THE EYES OF CINEMATOGRAPHERS
19.03.2024
1523
SOVIET-ERA OPTICS MOUNTED ON MODERN DIGITAL CAMERAS - THE EXAMPLE OF THE HELIOS 44 LENS
13.03.2024
860
SOCIAL AND CULTUROLOGICAL ROOTS OF ALIEN MYTH. IMAGES OF ALIENS IN MOVIES MYTHS AND LITERATURE
12.02.2024
1791