24. Теория и история культуры
THE FORMATION OF THE CHINESE PIANO SCHOOL: SOCIOCULTURAL AND INSTITUTIONAL PRECONDITIONS
13.03.2026
103
HOMO IMPROVISUS – THE PECULIARITIES OF THINKING AND A UNIVERSAL WAY OF INTUITIVELY INTERACTING WITH THE WORLD
18.12.2025
257
LINGUISTIC CODES OF CULTURE IN THE ASPECT OF THE RELATIONSHIP BETWEEN THE CONCEPTS OF "CULTURE" AND "CIVILIZATION"
18.11.2025
177
CONTEMPORARY FASHION AND THE BODY: SOCIOCULTURAL ASPECTS, INTERPRETATIONS AND PERCEPTIONS
30.07.2025
333
FASHION IN THE CONTEXT OF IDENTITY FORMATION FACTORS
11.07.2025
532
PROMOTION OF THE NATIONAL CULTURE OF UZBEKISTAN ABROAD
14.11.2024
344
WOMEN'S NON-REMOVABLE BREAST ORNAMENTS OF DRESSES OF THE EASTERN TERRITORIAL GROUP OF THE KHANTY PEOPLE
13.11.2023
505
ART MANAGEMENT IN THE ERA OF GLOBALIZATION: INTEGRATION OF CULTURE AND BUSINESS IN MODERN REALITY
29.09.2023
1961
CULTURAL BRANDING OF KAZAKHSTAN
13.01.2023
1629
EXPLORING THE HERITAGE OF CHINESE TRADITIONAL MUSIC CULTURE
05.12.2022
1406
E.R. DASHKOVA AS A COLLECTOR OF THE AGE ENLIGHTENMENT
08.01.2022
1058
The use of innovative technologies as a way to activate the audience in the structure of modern festive forms of the XXI century
03.06.2021
3999
The Finno-Ugric peoples 'holiday "The crow's day": reasons for transformation and ways to preserve national identity
05.04.2021
1370
The main theoretical approaches to the interpretation of the visual culture phenomenon
20.07.2020
1026
“Translatio sancti Alexandri in monasterium Hallense Novi Operis” as a historical source
02.06.2020
573
Marches and demonstrations as forms of festive culture of Russia
14.06.2019
2466