18. Музыкальное искусство
REFLECTIONS ABOUT THE MASTER
17.05.2023
634
GERMAN GALYNIN'S CHORAL WRITING ON THE EXAMPLE OF THE ORATORIO "DEATH AND THE MAIDEN"
17.04.2023
1507
IN THE FIRST PERSON: THE «DOINA» CHORAL CHAPEL IN THE MEMORIES OF VLADIMIR MININ, ARTISTIC DIRECTOR OF THE COLLECTIVE IN 1958-1963
14.04.2023
1025
CHARISMA. AMBITION
10.04.2023
762
V. COLAK'S VIOLIN SONATA - A SAMPLE OF EARLY OF CHAMBER-INSTRUMENTAL CREATIVITY OF THE COMPOSER: PERFORMING INTERPRETATION
08.03.2023
838
THE UNFORTUNATE FATE OF PRIVATE OPERA: ON THE IMPLICATIONS OF ST.PETERSBURG THEATER POLICY IN THE 18th CENTURY
14.02.2023
661
METHODOLOGICAL PRINCIPLES OF PEDAGOGUES CHISINAU STATE CONSERVATORY OF THE 1940-1970 IN TEACHING THE DISCIPLINE SPECIAL PIANO
14.11.2022
1443
ON THE QUESTION OF SOUND AND ITS EXTRACTION ON THE PIANO. HEINRICH NEUHAUS TECHNIQUE
21.09.2022
2045
THE «PURGE» AT THE MOSCOW CONSERVATORY IN 1930: ACCORDING TO THE MATERIALS OF N.G. RAYSKY’S ARCHIVE
04.04.2022
1203
ABOUT THE PRINCIPLES FOR THE FORMATION OF THE BASSO OSTINATO FORM IN G. PURCELL'S WORKS
15.02.2022
1136
"COLORISTIC FANTASY" BY S. SLONIMSKY: IMPROVISATIONISM AS A FACET OF A NEW PERFORMING FREEDOM
12.10.2021
812
TO THE QUESTION OF PECULIARITIES OF INTERPRETATION OF PIANO COMPOSITIONS OF MODERN DOMESTIC COMPOSERS
11.10.2021
1132