18. Музыкальное искусство
REFLECTIONS ABOUT THE MASTER
17.05.2023
572
GERMAN GALYNIN'S CHORAL WRITING ON THE EXAMPLE OF THE ORATORIO "DEATH AND THE MAIDEN"
17.04.2023
1403
IN THE FIRST PERSON: THE «DOINA» CHORAL CHAPEL IN THE MEMORIES OF VLADIMIR MININ, ARTISTIC DIRECTOR OF THE COLLECTIVE IN 1958-1963
14.04.2023
924
CHARISMA. AMBITION
10.04.2023
698
V. COLAK'S VIOLIN SONATA - A SAMPLE OF EARLY OF CHAMBER-INSTRUMENTAL CREATIVITY OF THE COMPOSER: PERFORMING INTERPRETATION
08.03.2023
744
THE UNFORTUNATE FATE OF PRIVATE OPERA: ON THE IMPLICATIONS OF ST.PETERSBURG THEATER POLICY IN THE 18th CENTURY
14.02.2023
584
METHODOLOGICAL PRINCIPLES OF PEDAGOGUES CHISINAU STATE CONSERVATORY OF THE 1940-1970 IN TEACHING THE DISCIPLINE SPECIAL PIANO
14.11.2022
1316
ON THE QUESTION OF SOUND AND ITS EXTRACTION ON THE PIANO. HEINRICH NEUHAUS TECHNIQUE
21.09.2022
1950
THE «PURGE» AT THE MOSCOW CONSERVATORY IN 1930: ACCORDING TO THE MATERIALS OF N.G. RAYSKY’S ARCHIVE
04.04.2022
1096
ABOUT THE PRINCIPLES FOR THE FORMATION OF THE BASSO OSTINATO FORM IN G. PURCELL'S WORKS
15.02.2022
1071
"COLORISTIC FANTASY" BY S. SLONIMSKY: IMPROVISATIONISM AS A FACET OF A NEW PERFORMING FREEDOM
12.10.2021
738
TO THE QUESTION OF PECULIARITIES OF INTERPRETATION OF PIANO COMPOSITIONS OF MODERN DOMESTIC COMPOSERS
11.10.2021
1053